All the Ships at Sea - Press and Quotes
Press
"All
the Ships at Sea" (text version on this site)
Scott Foundas, Variety
"Method Fest" (text version on this site)
Ron Stringer, L. A. Weekly
“All the Ships at Sea:
An Unsettling Look at the Ties That Bind”
Zach Campbell, 24fps
"All the Ships
at Sea"
Jason Overbeck, Bent Clouds
Ten
Best Films of 2003
Bill Krohn, Senses of Cinema
Ten
Best Films of 2003
Peter Tonguette, Senses of Cinema
2005 Recommended
Films
Rick Curnutte, The Film Journal
Best
Films of 2003
Jaime Christley
Quotes
“With religious films tending toward either propaganda or satire, ‘All
the Ships at Sea’ arrives like a gust of crisp sea air. With its searching
discussion of faith lost and found, this highly impressive second feature
by former film critic Dan Sallitt follows the tradition of Dreyer, Bergman
and Bresson, and is distinguished by two exceptional lead performances and
an unusually rigorous aesthetic…the uncompromising pic merits the attention
of festivals, cinematheques and new-director showcases...a hypnotic study
in differing beliefs and ways of explaining the world…to encounter characters
this authentically self-aware and introspective in an American film is rare…As
Bovee and Meeks create a very believable sisterly bond -- one in which each
gesture and word seems weighted with volumes of an unspoken past – pic achieves
a rare intensity.”—Scott Foundas, Variety
“The dialogue is absolutely wonderful, brilliant, discreet, moving. This
man, Dan Sallitt, has really found his own voice, which is so rare. Perhaps
it is because of the casting of the films, but I couldn't stop thinking about
Bergman. But Bergman's characters need to be incredibly brutal or cruel
or miserable, need to reach an Absolute or the Forbidden to feel alive. Sallitt
paints characters who need—now—to reach some peace to be back in life. The
same archness, same craving for an absolute, but in two such different ways.”—Arnaud
Desplechin, director of Esther Kahn, Kings and Queen, and
My Sex Life... or How I Got Into an Argument
"Among (Method Fest)'s strongest offerings, in terms of performance
and screenwriting, is Dan Sallitt's 65-minute chamber drama All the Ships
at Sea, in which a pair of tormented siblings (Strawn Bovee and Edith
Meeks) whose metaphysical storm shelters have begun to collapse about
them attempt—in ways both spoken and unspoken, and in either case possibly
futile— to ease each other through their respective crises of faith...Not
to be missed"—Ron Stringer, L.A. Weekly
"Mapping the tumultuous divide between traditional and charismatic faiths
that is one of the central facts of our age, Dan Sallitt's All the Ships
at Sea treats its subject with the kind of intelligence and high style we're
accustomed to seeing in the films of Eric Rohmer."—Bill Krohn, American
correspondent, Cahiers du Cinema
“Dan Sallitt’s newest creation is a 64-minute wonder that deserves to
be seen and discussed by any who appreciate thoughtful, artistic cinema.”—Zach
Campbell, 24fps
“A spiritual character study on par with the work of Robert Bresson.
A stunning study of the nature and fallacy of faith.”—Rick Curnutte, The
Film Journal Blog
“A beautifully written and performed movie, with a sure-handed, expressive
use of composition, editing, blocking, and design.”—David Schwartz, programmer,
American Museum of the Moving Image
“A deeply felt, wonderfully written and thought-provoking film.”—Ron
Tibbett, Magnolia Independent Film Festival
“Intricately realized…a thoughtful rumination on religion and spirituality.”—Longbaugh Film
Festival
"Compelling dialogue...fascinating and dense...strong performances
by Strawn Bovee and Edith Meeks anchor a theological discussion that is
both personal and profound."—Riverrun International Film Festival
“A strong and emotionally charged drama which takes an unflinching
look at faith and family.”—Filmstock International Film Festival
“An immaculately written and directed film. Edith Meeks gives
possibly the finest performance I've seen all year.”—Peter Tonguette,
A_Film_By
Yahoo! group
“Pure pleasure…Watching and listening to Strawn Bovee and Edith Meeks
is like listening to two great jazz soloists jamming, in perfect tune with
each other…Woody Allen would cut off his right arm to be able to make a
film like this, but he doesn't have the intelligence, the taste or the actresses.”—Bill
Krohn, A_Film_By
Yahoo! group