The Doom Generation (Gregg Araki) Rating: 2.5 I absolutely loathed Araki's first film, THE LIVING END, and I didn't see his sophomore effort, TOTALLY FUCKED UP, due to generally tepid reviews and an utter lack of interest on my part, so I was surprised by how much I enjoyed THE DOOM GENERATION...up to a point. The performances are remarkably appealing in their stereotypicality (I especially enjoyed James Duval's Keanu-Reeves-on-Quaaludes shtick); the dialogue is the best of its kind since HEATHERS; most importantly, Araki seems to have learned how to use a camera and write a screenplay since I last saw his work. (Or maybe, as a heterosexual, I simply respond better to this "heterosexual film" than to THE LIVING END's in-your-face queerness. I don't think so--I think THE LIVING END is just bad filmmaking--but I include this caveat nonetheless.) But there's still too much adolescent gore humor and narrative aimlessness for my taste, and the film's sudden, hideous conclusion comes out of nowhere and resolves nothing; it's shocking and painful to watch without being cathartic. I can't quite recommend THE DOOM GENERATION, but I unexpectedly find myself looking forward to Araki's next film.