Frequently asked questions for rec.arts.sf.fandom:
This HTML version of the FAQ has been very slightly
reformatted from the version posted to Usenet. In particular,
links to Web resources are generally anchored by the name of
the page, rather than having the URL pointing to itself.
Questions included in this FAQ:
1. What is this newsgroup about?
2. But where's the science fiction?
3. What other fannish newsgroups and mailing lists are there?
4. So, is anything off-topic here?
5. Can I post my e-zine or convention report to this group?
6. So, why do you all post this endless chat?
7. I don't want chat, I want information. Can I find it on the Web?
8. Where else can I find out about upcoming conventions?
9. You said it's social. Do I have to know you folks already?
10. How do I introduce myself?
11. What is a RASSEF Award?
12. Who gives out RASSEF Awards?
13. Can I give out RASSEF Awards?
14. Just like that, without asking anyone?
15. Where can I read RASSEF Award-winning posts?
16. And what is a RASSEF Gold Star?
17. Why do the subject lines have nothing to do with the contents
of the posts?
18. Is this a family newsgroup?
19. You know what I mean!
20. Who is Patrick O'Brian?
21. Why all the Jewish minutiae?
22. What's the difference between beer and ale?
23. Why do people worry when someone's name is the subject
of a post?
24. What defines an sf convention?
25. Are "media conventions" sf conventions?
26. What's the difference between a "membership" and a "ticket"?
27. What is the Worldcon?
28. How do I join?
29. I can't afford the amount for the upcoming Worldcon, and
would like to find a less expensive membership. Or, I want to
transfer my membership, can I do that here?
30. What is whinging?
31. What are TAFF and DUFF?
32. What about the rest of the world?
33. What is V*nn* B*nt*, why shouldn't I talk about her, and
why are there those funny stars in her name?
34. Avram, can we put this in the FAQ? Pretty please?
35. What does AKICIF mean?
36. Are cinnamon raisin bagels real bagels?
37. D?
38. Why "You are XXX and I claim my five pounds?"
39. I think the FAQ is jes' fine, except I didn't see a
single reference to Pogo or Walt Kelly in it.
40. [*]
41. Who's Bob?
42. Who is Vicki Rosenzweig and why is she keeper of this
FAQ?
43. What is Mornington Crescent?
Answers to the Frequently Asked (Hah!) Questions for rec.arts.sf.fandom:
1. What is this newsgroup about?
A. First of all, science fiction fandom. That includes
conventions, fanzines, fan funds, and other matters related to
fandom. Second of all, almost anything else people want to talk
about. The true subject of this newsgroup appears to be food, but
politics, gardening, religion, and almost anything else is grist
for the mill.
2. But where's the science fiction?
A. Discussions of written science fiction (novels and short
stories) are in rec.arts.sf.written. Discussions of movies and
television are in a number of places, including
rec.arts.sf.movies, rec.arts.horror.movies, rec.arts.horror.tv,
rec.arts.sf.tv, rec.arts.sf.tv.babylon5,
rec.arts.sf.tv.babylon5.info, rec.arts.sf.tv.babylon5.moderated,
rec.arts.sf.tv.quantum-leap, rec.arts.comics.other-media, and
arguably rec.arts.sf.starwars.info and rec.arts.sf.starwars.misc,
and probably a large number of alt.* groups. If you want to be a
science fiction writer, you might want to read
rec.arts.sf.composition. Announcements of science fiction related
events (radio programs, author readings, online discussions, etc.)
go in rec.arts.sf.announce, which is moderated, and may be
crossposted to one of the other rec.arts.sf.* newsgroups.
For more information, check rec.arts.sf.announce for
the regular posting "Rec.arts.sf groups, an introduction."
3. What other fannish newsgroups and mailing lists are there?
A. uk.people.sf-fans is a newgroup focusing on science
fiction and fandom in the UK. upsf is a good place for
announcements and discussion of club and pub meetings in
the UK. As of August, 1999, the newer upsf group has far
less message traffic than rassef. rec.music.filk
is for discussion of filk music. There's also a whole
rec.arts.comics.* hierarchy.
Timebinders is a mailing list for people interested in the history
of sf fandom, but also carries a fair amount of other fannish chat.
To subscribe to the Timebinders mailing list, send mail to
LISTSERV@SFLOVERS.ORG
with the command
SUB TIMEBINDERS YOURFIRSTNAME YOURLASTNAME
SMOFS is a low-traffic list that deals with convention-running.
To get on smofs, send mail to
smofs-request@sflovers.org.
However, you should not join this list unless you have some
experience with or interest in con-running. It's not a general-purpose mailing
list.
The newsgroup alt.fandom.cons is deprecated, along with the rest
of the alt.fandom.* groups, since rec.arts.sf.fandom has
essentially replaced it. However, there is no mechanism for
removing an alt group, so it will probably be with us for a long
time, and some people like the fact that there's very little
traffic on alt.fandom.cons.
4. So, is anything off-topic here?
Two answers, one long, one short:
A. Discussions of actual science fiction will get more response
elsewhere in rec.arts.sf.* but aren't actually off-topic if they
arise out of on-going discussions here. But if you want to ask who
wrote "The Vitanuls" or for the name of the Brunner story about
the children who got born without any souls, please do it on
rec.arts.sf.written - and the same goes for similar media questions
in the appropriate forums. Mostly, what's inappropriate here is
what's inappropriate in general: spam and trolling. It's okay to
post "CON: Namelesscon, April 1, Arkham, Massachusetts" and tell us
where it is, who the guests are, how to register, and so on. It's
not okay to tell us how to Make Money Fast. And don't post that CON
announcement every day for a month, but occasional reminders and
updates are reasonable. (If your guest of honor has had to cancel,
or you've just convinced J. Famous Author to attend, sure, post
that.) Also, binaries don't belong in non-binary newsgroups, of which
this is one. Basic netiquette. See news.announce.newusers and
news.newusers.questions. There is no Cabal, but it seems to be
watching out for us anyway.
A. This is a social group--what is off or on topic is very hard to
define. (However, commercial posts are generally off-topic.) Your
best bet, as with most newsgroups, is to read the newsgroup for a
while and get a feeling for the place.
5. Can I post my e-zine or convention report to this group?
A. If you think it will interest us, sure. If it's very long, you
might want to post a pointer to a Web address instead, if the zine
is available on the Web. If your zine involves lots of graphics,
definitely point to a Website, or give us a plaintext version with a
note of where we can find the illustrations. Pointers to convention
photos are also welcome.
6. So, why do you all post this endless chat?
A. Basically, science fiction fandom is a loose community of people,
many of whom live a long way from each other. rec.arts.sf.fandom is
one of the ways we keep in touch with our friends. (Others include
fanzines, conventions, clubs, other newsgroups and mailing lists
(see question 3) and the telephone.)
7. I don't want chat, I want information. Can I find it on the Web?
A. Quite a bit of it, yes.
fanac.org is a good
starting point for stuff about science fiction fandom.
The UK SF
Archives include Dave
Langford's fannish newszine Ansible, Bridget Wilkinson's Fans
Across the World Newsletter, and Dave Langford's TAFF page. The New
England Science Fiction Association
(NESFA) home page has a variety of useful
links to clubs, sf-related archives, convention listings, sf
publishers, and fans' email addresses, as well as information about
NESFA, Boskone, and NESFA Press.
The Plokta News Network has news, con
reports, and the occasional fanzine review. The emphasis is on
British fandom, but they cover other parts of the world as well.
9. You said it's social. Do I have to know you folks already?
A. No. Think of it as wandering into a party that your neighbor is
hosting. Hang out, see if we're talking about stuff that interests
you, and make yourself comfortable.
10. How do I introduce myself?
A. Any way you like. You can do a formal delurk--"Hi, I'm Z, I've
been reading this newsgroup for a while. I have three children,
live in a tree in Maine, and want to be a tiger when I grow up"--or
just jump into the conversation. If we might know you from other
contexts, you can include your name or nickname if your email address
is less than informative. ("Mike3765@aol.com" won't help us know
which Mike you are.) If, on the other hand, you want to be known only
as "Purple Rain" and by your yahoo address, you can do that, but
some people may not take you seriously.
11. What is a RASSEF Award?
A. This is one of the ways people say "Hey, that was a really great
post." The emphasis is on humor, but rassf awards are given for
excellent serious posts as well. Since nobody runs this newsgroup,
they have no official status, but people who receive them tend to
cherish them. The awarders sometimes dress them up--not just "RASSEF
Award" but "RASSEF Award with gold leaves and elephants" or some
other notional ornamentation that refers back to the post being
commended. Patrick Nielsen Hayden introduced them here (imported from
The WELL), and Jo Walton started dressing them up.
12. Who gives out RASSEF Awards?
A. Anyone who has been sufficiently moved by a great post.
13. Can I give out RASSEF Awards?
A. Yes.
14. Just like that, without asking anyone?
A. Yes. But don't hand out too many, it cheapens the effect. They
should be awarded for what you think are really great posts. If you
think there are dozens every day, raise your standards.
15. Where can I read RASSEF Award-winning posts?
A. There is no specific archive, but you can always try searching
DejaNews for messages with "RASSEF Award" in their bodies, then read
the messages they're following up to. Or just read whatever Ray
Radlein posts.
16. And what is a RASSEF Gold Star?
A. Aahz Maruch introduced this term for posts he thinks deserve
recognition, but aren't quite as noteworthy as those that get RASSEF
Awards. Since there is no scale for what qualifies for an Award, in
practice the two are very similar.
17. Why do the subject lines have nothing to do with the contents of
the posts?
A. Because people are lazy. Given the chatty nature of this
newsgroup, topic drift is a way of life. And it's easier to just
hit "reply" than to edit the subject line to say "Tom Godwin's Law
(was Re: Nazi Space Pilots)"
18. Is this a family newsgroup?
A. Well, it seems to have a bunch of cousins, but no spouse or
children. And it's not very good at match-making, though we've tried.
19. You know what I mean!
A. Okay, okay. The FAQ compiler just dislikes that particular
euphemism. Most of the posts on this group are suitable for all
audiences, at least in the sense that they're unlikely to scar
anyone's psyche. We do, however, talk about whatever we feel like,
and that has been known to include sex, politics, and religion. If
reminders that ordinary people differ from you in any or all of these
areas might be painful, you may not be happy in this newsgroup, since
there's no guarantee that the thread labeled "Patrick O'Brian" or
"Orycon report" won't be about weaponry or sex. Caveat lector.
20. Okay, who is Patrick O'Brian?
A. The author of a series of novels about the British Navy, which
many people on this newsgroup enjoy and talk about.
21. Why all the Jewish minutiae?
A. Why is this newsgroup different from all other newsgroups?
A. I have no idea, but they do keep coming back. Combine the
newsgroup's general talent for topic drift with a penchant to analyze
any philosophical or legalistic question (and many of the questions
about Jewish practice are both) into the ground, and it's probably
inevitable.
22. What's the difference between beer and ale?
A. (by Mike Cheater, with minor editing by Vicki Rosenzweig): Ale
is a drink that can be traced back to prehistoric times from Sumeria
and is brewed from malted barley, yeast and water to produce an
alcoholic beverage.
Beer was introduced to Britain in the 15th century by brewers from
Germany and Flanders. Essentially beer is ale with the addition of
hops, a flowering plant, which adds to the bitterness of the product
but more importantly enables it to keep longer.
Malt, hops, yeast and liquor (water) were the traditional ingredients
for beer until the 1950s (and in Germany are still the only permitted
ingredients [I think EU regulations have overridden this, but "brewed
according to the German beer purity laws" sells beer, even outside
Germany.--VR]). In the late 1950s and early 1960s British brewers,
amongst others, discovered that the quality of beer was dependent on
the skills of the cellar man of the pub who sold them. To produce a
more standard product practices like pasteurisation (to kill the yeast
bacteria that gave living i.e. real beer its character) and the
addition of carbon dioxide (to make the beer fizzy and give the
impression of being alive) became common since the product only had to
be kept at a constant temperature and the skills of the cellar man
were dispensed with. Many people disliked the cold metallic taste of
"keg" beer and in the U.K. an organisation called CAMRA (The Campaign
for Real Ale) emerged to promote the cause of traditional beer. The
difference between ale and beer was forgotten for the sake of a
memorable acronym. Nowadays Real Ale is a term used to refer to Beer
produced to a traditional recipe whilst beer is a generic term that
includes real ale, keg bitters, lagered beer and others.
23. Why do people worry when someone's name is the subject
of a post?
A. Because that type of subject line may convey the wrong message.
For a long time, it has been a rassef tradition that bad news about the
person is conveyed in such posts--announcements of ill turns of health
or death, for instance. Rassef functions as a bush telegraph--we pass
along information about friends and acquaintances, because other people
may also want to know. It's best to use subject lines which are more
informative--"Query about John Barnes's Books"; "Fred Derf's teeth"; or
"RIP Joe Shablotnik 1919-2001"--to reduce misunderstanding. (Thanks to
Kevin Maroney for revising this answer.)
24. What defines an sf convention?
A. A science fiction convention is a gathering of the tribe, or some
part of the tribe, or just some folks who want to hang out for the
weekend. Most sf conventions ("cons") have programming--speeches,
panels, slide shows, etc.--some of which is related to science
fiction, fantasy, horror, or fandom. And some of which isn't. If
the guest of honor wants to organize tai chi at 8:30 Sunday morning,
most con committees will let him.
25. Are "media conventions" sf conventions?
A. This one is open to debate. Most fans, regardless of whether
they attend them, would agree that being devoted to a particular
television program, or a particular author's work, doesn't make
something not an sf con. On the other hand, if the main activities
involve actors, and most of those are autograph sessions, a lot of
people don't think it's a real con. In other words, of course a con
can discuss Babylon 5 as well as, or even instead of, the writing of
Philip K. Dick or Ursula Le Guin; if it isn't interested in
discussing much of anything, it's not a convention--a gathering of
people with shared interests--it's a show.
26. What's the difference between a "membership" and a "ticket"?
A. Attitude, either that of the buyer or of the organizers. If the
convention says it's selling tickets, it's almost certainly a
commercial venture, whose main goal is to make a profit for the
organizers. This isn't necessarily a sin, but it does mean that
you're likely to find little conversation or sense of community,
and a major distinction between the stars and the people who buy
tickets.
If a convention is selling memberships, the expectation is that,
to some extent, the members will make their own fun and help make
the convention happen. Those people wearing ribbons that say "staff"
or even "committee" will be volunteers, and even the people who are
on programming won't be paid for their time and effort. (A few guests
of honor will have their expenses paid; some other participants may
get their memberships free but will pay for their own transport,
hotel rooms, and meals.)
Back to the party analogy: your $30 or $45 isn't buying you a
weekend's entertainment. It's paying for the rental of the hall,
and for some snacks. You can go to the panels that interest you--and
contribute if you're so inclined, and if the moderator has time to
take audience comments. Or you can sit in the bar or (if it's a North
American convention) the con suite and just chat. If things are going
really well, you can spend an hour in the bar with someone you just
met, discussing the last panel or the guest of honor's speech. You
can also spend the weekend in the video room, or go home every
evening after the formal events are over--nobody will stop you, but
you'll miss a lot of the fun.
From another angle, if you've bought a ticket to a show and there's
a long line to get in at the door, you'll kvetch. If you've bought
a membership in a convention and registration is going slowly, you
might say "Hi, can I help here?" and spend a hour working at the
registration table. Put in enough hours and you might get a free
t-shirt, but that isn't why most of us do it. We do it because we want
the con to happen, and because there's pleasure in a job well done.
27. What is the Worldcon?
A. The Worldcon is, in some sense, the center of the
fannish/convention year. Among other things, it's where the Hugo
Awards (for best science fiction in a variety of categories, plus
related categories such as best fanzine, best editor, and best
artist) are given out. Worldcons can be held anywhere in the world,
though (so far) most have been in the United States. They're usually
held at the end of August or beginning of September (August bank
holiday weekend for UK Worldcons, Labor Day weekend for US
Worldcons), but that isn't a hard and fast rule.
28. How do I join?
A. You join by sending money for your membership to any active
Worldcon committee. Worldcon sites are chosen three years in advance,
by a vote of members of the then-current Worldcon. Thus, in October
2001, there are active committees for 2002, 2003, and 2004, all of
which will be happy to sell you a membership. The Web site
www.worldcon.org is an online home for all Worldcons. You can
buy a supporting membership--which entitles you to nominate and vote
for the Hugo Awards, vote for the site of the three-years-later
Worldcon (for an additional fee, which gets you a supporting membership
in that future Worldcon), and receive all publications--or an attending
membership, which gets you all of that plus the chance to attend the
convention. The price for attending memberships increases as the
convention draws closer. (Getting money early is useful for a variety
of reasons--the con has expenses well before people show up for a
five-day extravaganza--and knowing how many people will show up is
useful to people who are trying to plan everything from how many panels
to have on Friday afternoon to whether a particular hall is big enough
for a convention banquet.)
29. I can't afford the amount for the upcoming Worldcon, and would like
to find a less expensive membership. Or, I want to transfer my
membership, can I do that here?
A. Yes. As the Worldcons approach, there are people who offer
memberships for transfer at rates lower the the current registration
rate. But you need to be quick, they tend to get grabbed quickly.
Once an agreement is reached, you'll need to contact the Worldcon
about the transfer by supplying both names and addresses and the
membership number. It's also a good idea for the new member to have
a written backup to bring with them to the Worldcon.
30. What is whinging?
A. This wonderfully expressive term seems to be primarily a British
and Australian usage, or at least not a North American one. To quote
the Oxford English Dictionary:
whinge, v. orig. Sc. and north. dial. Forms: 6 quhinge,
quhynge, 9 winge, wheenge, 8 whindge, 7_ whinge, 20 winge.
[North. form of OE. hwinsian, corresp. to OHG. win(i)sôn
(MHG. winsen; cf. MHG., G. winseln):---OTeut. *_winisojan,
f. root of hwínan to whine. For the suffix cf. OE. clænsian
to cleanse, bletsian to bless, rícsian to rule, ON. hreinsa
to cleanse; for the phonology of the form whinge
cf. clenge, ringe, north. forms of cleanse, rinse.]
intr. To whine; esp. to complain peevishly. Hence
whinging (also w(h)ingeing) vbl. n. and ppl. a.
[Sorry, this isn't 7-bit clean--the etymology may
look weird to some people, but the definition should
be clear.]
31. What are TAFF and DUFF?
A. These fan funds (that's what the "FF" stands for in both) are
long-running projects to enable fans to travel between (for TAFF)
North America and Europe, and (for DUFF) North America and
Australasia. TAFF is the "Trans-Atlantic Fan Fund" and DUFF is the
"Down Under Fan Fund." Fans tend to think of them as part charity,
part award, but they aren't registered charities and have no legal
existence. The person who will make the trip is chosen by a vote;
the eligible constituency is people who have been active in fandom for
at least 18 months, and the practical constituency is some subset of
that number, who think it's worth having these things happen and are
willing to contribute a few dollars or pounds to the cause.
32. What about the rest of the world?
A. It's all purely voluntary, and there are other fan funds. GUFF
sends fans between Europe and Australasia; FFANZ sends people between
Australia and New Zealand (which are not as close together as North
Americans tend to think); and CUFF sends Canadian fans to Canada.
Okay, okay, from one part of Canada to another. There have also been
a number of one-time funds designed to bring a specific fan to a
specific place/event: TAFF is the outgrowth of a fund to bring Walt
Willis to the United States (from Ireland) in 1952. Walt wrote
about the trip in "The Harp Stateside." More recently, a number of
British fans paid Gary Farber's way to Britain for a month, and the Auld
Lang fund is currently raising money to send Dave Langford (a witty
man who says he has too many Hugos) to Australia for the 1999
Worldcon.
33. What is V*nn* B*nt*, why shouldn't I talk about her, and why
are there those funny stars in her name?
A. She is the author of a very bad novel. She claims it is "quantum
fiction" rather than science fiction, so I suppose we could argue
that it's off-topic, except that isn't the point. The point is that
some people (who may be aliases for the author or her publicist) who
had not otherwise participated in this newsgroup came in, posted at
great length about how wonderful the book was, and precipitated quite
a bit of flamage. The stars are in the name because at one time she
or her supporters seemed to be searching the Usenet feed for her
name. (If you care that much, the stars in the first name are a's,
and the stars in her last name are an o and an a, respectively.)
The novel, Fl*ght, seems to have been self-published, and is the
only book I have seen or heard of in which the publisher faked the
Library of Congress cataloguing-in-publication data, replacing a
simple set of material that might be useful to librarians with a
badly written blurb.
34. Avram, can we put this in the FAQ? Pretty please?
A: "Rasseff Man, Rasseff Man,
Discussing the entire universe, man.
Usually some kind of SF fan,
Rasseff Man.
He'll write a post about a candied yam,
And Jewish minutiae in Pakistan,
And print it all in his .plan,
Eclectic man, Rasseff Man."
(with thanks to Avram Grumer and apologies to
They Might Be Giants)
35. What does AKICIF mean?
A. All Knowledge Is Contained In Fandom. Alternatively, and mostly
offline, All Knowledge Is Contained In Fanzines. On rassef, it's
being used as a tag by people who want the newsgroup to answer a
(usually factual) question on almost any subject.
36. Are cinnamon raisin bagels real bagels?
A. Depends on your definitions. I think of them as real because
they've been around for quite a while and make a fine breakfast
when buttered and accompanied by a cup of tea. Others insist that
nothing sweet can be a bagel, because who in their right mind would
put lox and cream cheese on a cinnamon-raisin bagel? Plain, garlic,
onion, poppy seed, salt, pumpernickel, sesame seed, and egg bagels
are definitely real. Blueberry, pesto, sun-dried tomato, and
cranberry-orange are newfangled impostors. Cinnamon-raisin is the
current borderline between the two, but borders do shift, and it's
becoming harder and harder to find a decent pumpernickel bagel.
37. D?
A. There are secrets of Chuck Harris with which fandom was not meant
to meddle. (The late Chuck Harris, bless him, never quite
mastered his news software and was notorious for postings consisting
of that solitary letter.)
38. Why "You are XXX and I claim my five pounds?"
A. This started with publicity campaigns by the British Westminster
Gazette (from 1927) and News Chronicle
(mid-1930s), whose agent "Lobby
Lud" prowled pre-announced seaside resorts. If you recognized him from his
published photo you could win ten pounds by producing the newspaper and
saying, "You are Mr. Lobby Lud, I claim the [name of paper] Prize." When
the postwar Daily Mirror imitated the campaign, its phrasing "... and I
claim my five pounds" passed into the language. It's now used for joky
recognitions of "real identity". Thus some r.a.sf.f posting about hideous
personal injuries might be greeted with a nod to our most disaster-prone
regular: "You are James Nicoll and I claim my five pounds!" Abbreviations:
AICMFP or AICM5P. "UR Ralph 124C41+ AICM5P!"
[Explanation by Dave Langford, with help from Eddie Cochrane.]
39. I think the FAQ is jes' fine, except I didn't see a single
reference to Pogo or Walt Kelly in it.
A. We have met the Frequently Asked Question, and it is us!
40. [*]
A. An asterisk is the conventional footnote symbol. On rassef, [*] and
other forms of asterisk-in-box mean "Please provide the footnote." It's
a way of asking for an explanation or cross-reference for a previous message.
I believe that this is derived from a panel at Minicon, in which four interesting
and erudite fans were invited to sit at the front of the room and chat, while the
audience held up paper asterisks whenever confused. The panelists cheerfully
explained, digressed, and had fun, as did the audience. We should do it again.
41. Who's Bob?
A. (Your uncle.) "Bob" is the character in old fashioned stories to whom
everything he already knows is explained in excruciating detail. "As
you know, Bob, we are at this moment on the planet Earth, which has a
nitrogen-oxygen atmosphere, is third out from the sun and encircled by
its very own moon." People sometimes use it on rasseff when they're
saying something they're fairly sure the person they're addressing knows
already, but which they feel wants to be explained to everyone else, or
sometimes when they suspect there's a certain element of instructing
grandmothers on egg-sucking techniques creeping into their post.
42. Who is Vicki Rosenzweig and why is she keeper of this FAQ?
A. Vicki Rosenzweig (vr@redbird.org)
is a long-time fan who has
been reading this group for a while and decided a FAQ might be useful,
or at least amusing. Fandom being somewhat anarchic, she gets to do
the work because she's willing. If she screws up badly enough,
someone else might take over. If she screws up but not too badly,
please let her know, preferably with useful specifics. ("You really
ought to have something about X, here's some draft text" is better
than "How could you omit X, you fool!") The questions here were
contributed by various r.a.sf.f posters; I've dropped some that
seemed irrelevant (meaning they're not frequently asked and I
couldn't come up with amusing answers) as well as a few that are
basic intro-to-netnews stuff. I do have opinions on a variety of
subjects, like most posters to this newsgroup; I've tried to keep
them down to a dull roar in this FAQ.
43. What is Mornington Crescent?
A. A station on the Northern Line of the London Underground. Also, a
rather odd game. As such, it's one of the places where old threads
go to die.
You could look at alt.games.mornington.crescent, or
uk.games.mornington.crescent, but it probably
won't help.
Last revised 20 November 2001.
Copyright 1998, 1999, 2000, 2001 by Vicki Rosenzweig.